Multi-award-winning director James Ngcobo is at it again. This time, he is at the helm of “Oleanna”, an upcoming interpretation of the work of Pulitzer Prize-winning playwright David Mamet.
Prepare to be captivated by this play that delves into the intricate dynamics of power, communication breakdowns and gender polarity within the academic realm.
It explores several themes of the current social climate. Through the play, Joburg Theatre endeavours to ignite discourse, promote self-reflection and stimulate profound interaction within the theatre community.
In a climate characterised by diversity, it prioritises fostering inclusivity.
The theatrical masterpiece promises to be a profound and transformative experience. It challenges audiences to bravely confront uncomfortable truths and critically examine the deeply ingrained societal norms that shape our lives.
Ngcobo’s exceptional artistic sensibilities, coupled with his unwavering commitment to pushing boundaries, guarantee that the production will leave an enduring imprint on the individual and the collective consciousness.
Long after the curtain falls, the profound insights and emotions evoked by the play will continue to resonate, fostering a deeper understanding of ourselves and the world around us.
At the heart of the two-hander is Altovoise Lawrence as Carol and Mothusi Magano as John.
Lawrence brings depth and nuance to her role while Magano unravels the complexity and emotional depth of his character.
“Oleanna” explores the fine line between mentorship and manipulation, and the controversial subject of censorship.
The previews run from Friday, August 2, with “Oleanna” official opening on Sunday, August 4.
Where: Peoples Theatre at Joburg Theatre.
When: August 4 to 25, 7pm.
Cost: Preview tickets cost R150 and the performance ticket R250. Special student rates are available.
“Text Me When You Arrive”
On the back of the recent National Arts Festival, “Text Me When You Arrive” is on tour at Soweto Theatre.
The bold and innovative work satirically and physically explores the challenges faced by South African women.
It does this through the of a playful YouTube channel, offering a powerful and thought-provoking commentary on contemporary society.
“Text Me When You Arrive” was conceived and written by the cast Aalliyah Matintela, Sibahle Mangena and Thuli Nduvane.
It is directed by Standard Bank Young Artist award winner, Sinenhlanhla Mgeyi, who also served as a mentor, along with MoMo Matsunyane.
In this production, three women unpack the “rules” around rape culture, patriarchy and social media. They do this while trying to avoid becoming a statistic.
Gender-based violence underpins the narrative, which seeks an answer to how to keep women safe.
“We are committed to fostering creativity and innovation by encouraging the arts and providing a platform for new plays.
“By supporting emerging voices and fresh narratives, we not only enrich out cultural landscape but also inspire meaningful conversations and connections within our community.
“Let’s celebrate and uplift the talent that shapes our world through the power of theatre this women’s month,” said Vincent Motau, the general manager at Soweto Theatre.
Where: Soweto Theatre.
When: August 8 to 11.
Cost: Tickets cost R120 and R100 for students.
“Mzansi Ballet’s The Neil Diamond Show”
The title pretty much sums up this ballet production, which is bolstered by Neil Diamond’s timeless hits.
According to the press statement, “This enchanting ballet show transports audiences into a world where every movement sparkles with brilliance, echoing the facets of a precious gem. With Diamond’s iconic music as its backdrop.
“It is a mesmerising journey through light, colour and the enduring mystique of these treasured jewels.”
The playlist includes favourite songs – “I’m a Believer”, “You Don’t Bring Me Flowers”, “America”, “Beautiful Noise”, “Hello Again”, “Sweet Caroline” – and many more.
Where: Pieter Torien Theatre, Montecasino.
When: Wednesday July 31 to September 1, 7.30pm.
Cost: Ticket prices vary between R250 and R350 at Webtickets.